12/21/2023 0 Comments Freelance subtitlerWith things moving so fast on social media these kind of video skills are a must. We’ll focus on the key things you need to learn to become a video pro in no time! Once you put into practice what you’ve learnt, you’ll be able to quickly produce videos on the fly. That will help you get more followers and achieve whatever it is you want to do. More importantly how to create video that stands out in the feed and from your competitors. We welcome applicants regardless of ethnic origin, national origin, gender, race, colour, religious beliefs, disability, sexual orientation or age.I'll be showing you lots of techniques, tools and apps to help you shoot video quickly and easily. We are committed to equal opportunities and creating an inclusive environment for all our employees. All applicants must have the legal right to work in the United Kingdom. To apply: Please submit a cover letter, CV and ideally a showreel/example of your work to. Reports to: The EP will report to The Economist’s Head of Video, David Alter and Head of Production, Cherry Jordan. Technical understanding of the filmmaking process.Ability to combine superb news judgement with experience in narrative storytelling and a strong collaborative approach to help turn The Economist’s reporting into gripping, can’t-miss stories that people watch from beginning to end.Familiarity with online video distribution channels.Experience of producing online content, especially for YouTube.Proven track record of producing quality factual content that requires journalistic rigour.Highly creative, organised, diplomatic, excellent communication skills, with the ability to work calmly and professionally under pressured, time-sensitive deadlines.Experienced at managing large teams and busy production schedules.Previous experience in video journalism, current affairs and television production.Drawing upon previous experience and expertise to vary and improve Economist Films.Building and overseeing stable of freelance talent (working with the Ho P and keeping within budget) with sensibility and a level of experience appropriate for Economist Films brand globally.Maintaining good relations and best practise with The Economist’s wider editorial team.Working with the Story Editor, Senior PD and PM to prioritise and deliver daily priorities.Holding regular meetings with PDs and other direct reports to ensure goals are met.Managing workflow ensuring films are delivered on time and on budget.Approving subtitles, online thumbnails and copy. ![]() Overseeing schedules in coordination with HOV, SPD and PM.Overseeing and approving outlines, scripts, shoots, edits and GFX.Overseeing the pitching and commissioning process.Collaborate with the Head of Video and Head of Production, development and production team to create a compelling slate of content.You will oversee day-to-day production processes for multiple films at any one time. Together, you will ensure each film remains focused around an urgent question that drives the narrative forward and is effectively structured through scenes and sequences. You will work with journalists to prepare pitches that deliver a clear and strong editorial proposition with appropriate vision or potential for a piece of video journalism.ĭuring production you will work in partnership with section editors to help the video journalist refine both the argument and the narrative. You will have overall responsibility for ensuring the editorial thesis of each film is not only rigorous and accurate but is also communicated in the clearest and most effective manner for the medium.ĭuring the commissioning process, you will identify and facilitate opportunities with journalists across the paper that lend themselves to a visual and narrative approach. The Executive Producer-Story Editor also plays a key role in managing Economist Films’ relationship with other sections and editors of The Economist.Īs the Executive Producer-Story Editor you will oversee the commissioning, structuring, storyboarding and editing of films in coordination with the paper’s section editors. You will be responsible for overseeing much of the editorial content produced by Economist Films and will work closely with the Head of Video and other members of the management team of Economist Films. The Economist is looking for a highly skilled and talented Executive Producer to join the films team on a one-year contract (maternity cover).
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